{"id":58225,"date":"2021-07-19T19:52:39","date_gmt":"2021-07-19T23:52:39","guid":{"rendered":"https:\/\/world.edu\/?p=58225"},"modified":"2021-07-23T15:20:19","modified_gmt":"2021-07-23T19:20:19","slug":"childhood-reading-endlessly-growing-up-with-tomi-ungerer","status":"publish","type":"post","link":"https:\/\/world.edu\/childhood-reading-endlessly-growing-up-with-tomi-ungerer\/","title":{"rendered":"Childhood reading: endlessly growing up with Tomi Ungerer"},"content":{"rendered":"<p><img fetchpriority=\"high\" decoding=\"async\" class=\"aligncenter size-full wp-image-58226\" src=\"https:\/\/world.edu\/wp-content\/uploads\/2021\/07\/GiantofZeralda23.jpeg\" alt=\"\" width=\"680\" height=\"389\" srcset=\"https:\/\/world.edu\/wp-content\/uploads\/2021\/07\/GiantofZeralda23.jpeg 680w, https:\/\/world.edu\/wp-content\/uploads\/2021\/07\/GiantofZeralda23-250x143.jpeg 250w, https:\/\/world.edu\/wp-content\/uploads\/2021\/07\/GiantofZeralda23-600x343.jpeg 600w\" sizes=\"(max-width: 680px) 100vw, 680px\" \/><\/p>\n<p>Tomi Ungerer&#8217;s\u00a0<em>Giant of Z\u00e9ralda<\/em>\u00a0has become what we call a classic for young people.\u00a0Criticized by adults, when it was published in 1971 in\u00a0<a href=\"https:\/\/www.ecoledesloisirs.fr\/\">L&#8217;\u00c9cole des loisirs<\/a>\u00a0because it challenged the codes and laws of illustrated storytelling for children, this album was immediately adopted by young audiences whose pleasure can never be denied. since.<\/p>\n<p>Excellent sesame to enter the mischievous and dynamic world of Ungerer,\u00a0<em>The Giant of Z\u00e9ralda<\/em>\u00a0tells in drawings and in words how a voracious and shaggy ogre becomes a prince charming and how an innocent little girl turns into a fulfilled young woman.<\/p>\n<p>This modern tale is the story of a\u00a0<a href=\"http:\/\/journals.openedition.org\/pratiques\/3856\">vigorous socialization process<\/a>\u00a0.\u00a0His quest &#8211; and our investigation &#8211; boils down to this deceptively simple question: &#8220;What is growing up?&#8221;\u00a0&#8221;<\/p>\n<h4><strong>There is the ogre first &#8230;<\/strong><\/h4>\n<p>He tumbles into fiction with his big teeth, his big nose, his bloody knife, his limitless appetite.\u00a0Coming from elsewhere abandoned to devastating forces, he savages everything in his path.\u00a0The neat city where he comes to stock up on fresh meat is turned upside down.\u00a0A real de-civilizing thrust falls on the humans who hide themselves like animals.\u00a0The children, hidden at the bottom of the cellars, have disappeared.<\/p>\n<p>Soon the ogre can no longer satisfy his voracity.\u00a0It only remains for him to mumble children&#8217;s rhymes which, alas, do not make his favorite dish appear.\u00a0Stuck in the margins of the savage where destructive impulses reign in an &#8220;animalized&#8221; universe, the ogre thus acts in a sterile manner.<\/p>\n<p>Giant as he is, he is still in the infancy of socialization: he absolutely must grow up.\u00a0To move from nature to culture, from animals to humans, he will have to fit into a network of prohibitions and obligations &#8230;<\/p>\n<h4><strong>There is Z\u00e9ralda too &#8230;<\/strong><\/h4>\n<p>Six years old, she lives, in the middle of the forest, in a clearing where the ogre is unknown.\u00a0His father cultivates the fields.\u00a0Her mother is dead and the little girl is looking after the house.\u00a0An outstanding cook, she prepares all kinds of dishes and reads recipe books diligently.<\/p>\n<p>She is an artist who puts snails in jars, canned fruit and hares in p\u00e2t\u00e9!\u00a0She knows how to domesticate the savage, to civilize it, to de-\u00a0<a href=\"http:\/\/journals.openedition.org\/lhomme\/29593\">wild it<\/a>\u00a0.<\/p>\n<p>One day on the way to the market, the little girl meets the ogre.\u00a0He waits for her at the turn.\u00a0It&#8217;s inevitable !\u00a0She must of course free herself from her father&#8217;s guardianship and discover the world.\u00a0The ogre and Zerald have to grow up, and they need each other to socialize.<\/p>\n<p>The rite of passage supposes to be accomplished, as we know, a necessary co-operation.\u00a0And the initiation work, of which the album tells us, shows how each character learns to act and how one in relation to the Other at the initiation of the initiation.<\/p>\n<h4><strong>And there is especially the ogre and Z\u00e9ralda &#8230;<\/strong><\/h4>\n<p>When Z\u00e9ralda meets the ogre, he is so hungry and weakened that he passes out in the middle of the road.\u00a0She only sees a poor man suffering and immediately initiates him into\u00a0<a href=\"http:\/\/www.gallimard.fr\/Catalogue\/GALLIMARD\/Bibliotheque-des-Sciences-humaines\/Facons-de-dire-facons-de-faire\">cooking<\/a>\u00a0, this transformative activity which &#8211; as\u00a0<a href=\"https:\/\/bibliotheques.paris.fr\/Default\/doc\/SYRACUSE\/249907\/l-origine-des-manieres-de-table\">L\u00e9vi-Strauss<\/a>\u00a0has shown\u00a0&#8211; combines nature (the raw) and culture (the cooked).<\/p>\n<p>By drawing generously from the provisions that fill her cart, she prepares a splendid picnic.\u00a0Tablecloth, cutlery, written menu, delicate dishes are offered to the enchanted ogre.\u00a0Not only does it suit smoked trout with capers, but it also works on table manners.\u00a0It can undo and move the limits: the edge of the path becomes a domestic space where you eat while delicately holding your spoon.<\/p>\n<p>Completely won over, the giant asks Z\u00e9ralda to come to his castle to exercise his talents.\u00a0She accepts.\u00a0In doing so, she helps the ogre and his friends, the surrounding ogres, to move from confused areas, abandoned to wild behavior to a world where social relationships are mastered.\u00a0The loneliness of the bloodthirsty glutton is replaced by the conviviality of banquets!<\/p>\n<p>But Tomi Ungerer&#8217;s Z\u00e9ralda is not content with her knowledge and her culinary power, she always associates them with the practice of writing.\u00a0Not content with cooking like a chef, she cooks the alphabet!\u00a0She fills books and cookbooks with her new recipes.<\/p>\n<p>Any extraordinary menu is transformed into a page of writing.\u00a0Also the ogre eats while reading and reads while eating.\u00a0He then learns to detach himself from native orality (that of childhood rhymes mumbled at the beginning of the album and linked to the immediate and disorderly satisfaction of desires) in order to access graphic order.<\/p>\n<p>In our highly literate societies, the written word and its effects on the relationship with oneself and with the world are thought of as the domestication of wild thought and the rationalization of cognitive and social activities (\u00a0<a href=\"http:\/\/journals.openedition.org\/questionsdecommunication\/12581\">Goody<\/a>\u00a0).<\/p>\n<p>We can say that the metamorphosis of the ogre is due as much to the cooked dishes as to the calligraphy menus.\u00a0It is true that the denomination of the dishes by Z\u00e9ralda does not lack humor or intelligence.\u00a0Her \u201cLittle Girl&#8217;s Croque on Ogre Delights\u201d is a subtle example.<\/p>\n<p>He tilts the ogre into metaphorical reformulation and the symbolic order where one no longer confuses words and dishes, signs and their referents.\u00a0And in the world of language that is now his, he can eat like an ogre, a civilized figurative expression that means eating plenty!<\/p>\n<h4><strong>Finally, there is the end of the story &#8230;<\/strong><\/h4>\n<p>Years passed.\u00a0It takes time to grow up\u2026 The ogre must get out of the cyclical time when he came to town every day to devour children to enter biographical and historical time, the time of changes and evolutions.<\/p>\n<p>The two characters have now become two &#8220;socialized&#8221; adults and fall in love with each other.\u00a0On the last page, you might think that Tomi Ungerer is reverting to the traditional genre of the tale \u201cThey married\u2026 had a large number of children.\u00a0&#8221;<\/p>\n<p>But make no mistake, it is only to play a malicious snub at this formula from another time.\u00a0The author adds immediately afterwards: \u201cOne can imagine that their life was happy until the end.\u00a0\u00bbOpposite, the drawing shows a happy family gathered around the last born &#8230; except that one of the children is holding a knife and a fork behind his back.<\/p>\n<p>The coexistence of the pacified and the wild seems very fragile.\u00a0The limits can always be erased!\u00a0The end of the story then opens up possible narratives that the classic tale generally closes.\u00a0This false closure goes back to the beginning of the story.\u00a0Repetition, restarting.\u00a0The end appears as an endless end.\u00a0Indeed each child will have to walk, in turn, the path which leads to adulthood.<\/p>\n<div id=\"attachment_58227\" style=\"width: 690px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" aria-describedby=\"caption-attachment-58227\" class=\"size-full wp-image-58227\" src=\"https:\/\/world.edu\/wp-content\/uploads\/2021\/07\/happyeverafter23.jpeg\" alt=\"\" width=\"680\" height=\"836\" srcset=\"https:\/\/world.edu\/wp-content\/uploads\/2021\/07\/happyeverafter23.jpeg 680w, https:\/\/world.edu\/wp-content\/uploads\/2021\/07\/happyeverafter23-203x250.jpeg 203w, https:\/\/world.edu\/wp-content\/uploads\/2021\/07\/happyeverafter23-600x738.jpeg 600w\" sizes=\"(max-width: 680px) 100vw, 680px\" \/><p id=\"caption-attachment-58227\" class=\"wp-caption-text\">\u201cOne can imagine that their life was happy until the end. \u00bb The leisure school<\/p><\/div>\n<p>On closer inspection, the only one who really sees that the story is not over and will start over is the reader.\u00a0The ogre and her children have their eyes fixed on the newborn baby that Z\u00e9ralda, her eyes closed, is holding in her arms.\u00a0If the characters cannot spot the presence of the little budding ogre, the reader must see him!<\/p>\n<p>For the rite of passage to be accomplished, for the child who reads to be initiated and perhaps in turn become an initiator, we must open his eyes!\u00a0This is exactly what the textual and iconic device imagined by Tomi Ungerer does in his last double page.<\/p>\n<p>If, by definition, a biographical rite (being born, first entering school, etc.) does not start again, the reading of the literary account of the rite can be repeated as many times as necessary.\u00a0Let the little ones read, reread\u00a0<em>The Giant of Z\u00e9ralda<\/em>\u00a0so that they can move forward more confidently on the path of learning because we all have something of the ogre and something of Z\u00e9ralda within us.<\/p>\n<p><em><strong>Author Bio:<\/strong> <span class=\"fn author-name\">Marie-Christine Vinson is a <\/span>Lecturer in Literature at the University of Lorraine<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tomi Ungerer&#8217;s\u00a0Giant of Z\u00e9ralda\u00a0has become what we call a classic for young people.\u00a0Criticized by adults, when it was published in 1971 in\u00a0L&#8217;\u00c9cole des loisirs\u00a0because it challenged the codes and laws of illustrated storytelling for children, this album was immediately adopted by young audiences whose pleasure can never be denied. since. Excellent sesame to enter the [&hellip;]\n&hellip; <a href=\"https:\/\/world.edu\/childhood-reading-endlessly-growing-up-with-tomi-ungerer\/\" class=\"more\">learn more&rarr;<\/a><\/p>","protected":false},"author":33,"featured_media":58226,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[15645],"tags":[11664],"coauthors":[11733],"class_list":["post-58225","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-education","tag-reading-2"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Childhood reading: endlessly growing up with Tomi Ungerer - World leading higher education information and services<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/world.edu\/childhood-reading-endlessly-growing-up-with-tomi-ungerer\/\" class=\"yoast-seo-meta-tag\" \/>\n<meta property=\"og:locale\" content=\"en_US\" class=\"yoast-seo-meta-tag\" \/>\n<meta property=\"og:type\" content=\"article\" class=\"yoast-seo-meta-tag\" \/>\n<meta property=\"og:title\" content=\"Childhood reading: endlessly growing up with Tomi Ungerer - World leading higher education information and services\" class=\"yoast-seo-meta-tag\" \/>\n<meta property=\"og:description\" content=\"Tomi Ungerer&#8217;s\u00a0Giant of Z\u00e9ralda\u00a0has become what we call a classic for young people.\u00a0Criticized by adults, when it was published in 1971 in\u00a0L&#8217;\u00c9cole des loisirs\u00a0because it challenged the codes and laws of illustrated storytelling for children, this album was immediately adopted by young audiences whose pleasure can never be denied. since. 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