{"id":57768,"date":"2021-06-16T00:00:24","date_gmt":"2021-06-16T04:00:24","guid":{"rendered":"https:\/\/world.edu\/?p=57768"},"modified":"2021-06-15T16:31:33","modified_gmt":"2021-06-15T20:31:33","slug":"grand-oral-of-the-bac-how-to-draw-inspiration-from-the-masters-of-eloquence-to-succeed","status":"publish","type":"post","link":"https:\/\/world.edu\/grand-oral-of-the-bac-how-to-draw-inspiration-from-the-masters-of-eloquence-to-succeed\/","title":{"rendered":"&#8220;Grand oral&#8221; of the bac: how to draw inspiration from the masters of eloquence to succeed"},"content":{"rendered":"<p><img fetchpriority=\"high\" decoding=\"async\" class=\"aligncenter size-full wp-image-57769\" src=\"https:\/\/world.edu\/wp-content\/uploads\/2021\/06\/fear-public-speaking-line.jpeg\" alt=\"\" width=\"678\" height=\"350\" srcset=\"https:\/\/world.edu\/wp-content\/uploads\/2021\/06\/fear-public-speaking-line.jpeg 678w, https:\/\/world.edu\/wp-content\/uploads\/2021\/06\/fear-public-speaking-line-250x129.jpeg 250w, https:\/\/world.edu\/wp-content\/uploads\/2021\/06\/fear-public-speaking-line-600x310.jpeg 600w\" sizes=\"(max-width: 678px) 100vw, 678px\" \/><\/p>\n<p>Press articles are multiplying on the\u00a0<a href=\"https:\/\/www.education.gouv.fr\/baccalaureat-comment-se-passe-le-grand-oral-100028\">&#8220;great oral&#8221;<\/a>\u00a0, novelty of the 2021 baccalaureate. Reading them, a certain anxiety would affect the students who are preparing to take this test, but also some teachers responsible for evaluating them.<\/p>\n<p>In a deeper way, the widespread fear of speaking in public is grafted onto this situation.\u00a0<a href=\"https:\/\/www.francetvinfo.fr\/sports\/tennis\/naomi-osaka\/roland-garros-2021-naomi-osaka-annonce-son-retrait-du-tournoi_4645309.html\">Naomi Osaka<\/a>\u00a0has given an excellent illustration of this in recent days: a tennis champion victorious in four Grand Slam tournaments, a few days ago she preferred to withdraw from Roland-Garros rather than participate in the ritual of the press conference, which &#8216;she considered too anxiety-provoking.<\/p>\n<h4><strong>A new ordeal<\/strong><\/h4>\n<p>If you&#8217;re like Naomi, note that it is much easier to learn to speak in public, and to deal with the emotions that come with it, than to win a Grand Slam tournament.\u00a0Ample resources exist on the subject: the question of sending messages that are both controlled and effective arises since man lives in societies based on law (via advocacy) and democratic (via debate).<\/p>\n<p>In reality, the art of public speaking is perhaps even older, since the ability to unite the group by speaking, around common values \u200b\u200bor experiences, is a fundamental skill in the social species which is the our.\u00a0In these twenty-five or twenty-seven centuries of reflection, many ideas, which education in France has unfortunately too forgotten\u00a0<a href=\"https:\/\/theconversation.com\/pourquoi-les-concours-deloquence-se-multiplient-97123\">for a hundred years<\/a>\u00a0, must be taken up.\u00a0We will propose a few here, inspired by three figures of orators from past centuries.<\/p>\n<p>As a preamble, it is important to put things back to their proper dimensions.\u00a0Obtaining the bac is certainly essential.\u00a0But the\u00a0<a href=\"https:\/\/theconversation.com\/orientation-post-bac-linevitable-stress-de-parcoursup-161036\">wishes on Parcoursup<\/a>\u00a0, much more decisive for the rest of your studies, are made.\u00a0The test is new, and it is an additional advantage for you: once you have read the\u00a0<a href=\"https:\/\/eduscol.education.fr\/729\/presentation-du-grand-oral\">framework documents<\/a>\u00a0made available by the Ministry of National Education, you will know about as much as your future correctors.\u00a0And the\u00a0<a href=\"https:\/\/www.education.gouv.fr\/baccalaureat-general-technologique-et-professionnel-modalites-de-passage-des-examens-en-2021-323144\">arrangements for the tests<\/a>\u00a0due to the pandemic should reassure even more.<\/p>\n<p>In reality, we can safely predict that there are only three ways to miss your grand oral:<\/p>\n<ul>\n<li>Not mastering the knowledge attached to the issues you are dealing with.\u00a0The problem would be related to a lack of work which could be legitimately blamed on you.<\/li>\n<li>Offer a disjointed speech, full of hesitations and repetitions.\u00a0The problem is quite easy to solve: you must, upstream, think about the order of your arguments.\u00a0Do not hesitate to film yourself and to ask the opinions of relatives on the passages to be improved.<\/li>\n<li>Finally, the main pitfall is to give the impression of a lack of motivation.\u00a0Being in a form of engagement with your jury is essential: it means having good posture, and above all being open in your tone and way of speaking.\u00a0The idea had been considered to call this exercise \u201cOral de maturity\u201d: this is exactly what the jury will expect.\u00a0You have to show that you are capable of projecting yourself into higher education and, in the longer term, into the professional world.<\/li>\n<\/ul>\n<p>Let us come to some tips inspired by great ancient orators.<\/p>\n<h4><strong>Thinking about the plan with Corax<\/strong><\/h4>\n<p><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Rh%C3%A9torique_grecque\">Corax<\/a>\u00a0is not the best known of the orators or theorists that we are going to discuss, but for\u00a0<a href=\"https:\/\/www.jstor.org\/stable\/23064339\">some Greeks at least he is<\/a>\u00a0the founder of the art of oratory.\u00a0Rhetoric, according to this myth of origins, was born in Sicily around 465 BC, on the occasion of a great wave of lawsuits following the fall of a tyrant.\u00a0In this context, a certain Corax (&#8220;the crow&#8221; in Greek) is said to have published a treatise on the art of winning trials.<\/p>\n<p>Corax prescribes that all speeches must have three parts &#8211; all development must be preceded by an introduction and followed by a conclusion.\u00a0If this idea has crossed the centuries, it is because it is not a tradition, but corresponds to the reality of human listening.\u00a0The attention of the audience is maximum at the beginning, and goes up towards the end of the speech if one thought of announcing the conclusion.\u00a0Corax, who is mainly interested in advocacy, also specifies that development must follow a specific plan.<\/p>\n<p>For your grand oral, it&#8217;s exactly the same thing: you must prepare your introduction and your conclusion before the big day, they are as important, if not more, than in writing.\u00a0You can learn them by heart if you can recite naturally, or know each block you are going to do intimately with only one or two key phrases memorized by heart.\u00a0In any case, the introduction should be fluid and engaging, practice!<\/p>\n<p>The development plan must also be designed upstream, the 20 minutes of preparation you have available should only be used to remind you of this plan, the dates and key figures, as well as a few sentences intended to mark the jury (what we called in Antiquity \u201csententia\u201d, and which you would rather call \u201cpunchlines\u201d).<\/p>\n<h4><strong>Play the game like Demosthenes<\/strong><\/h4>\n<p><a href=\"https:\/\/www.larousse.fr\/encyclopedie\/personnage\/D%C3%A9mosth%C3%A8ne\/116095\">Demosthenes<\/a>\u00a0for the Greeks, is the greatest orator to have ever lived.\u00a0Tireless in all genres of speech, he is remembered above all for his attempts to stir up the Athenians against the threat posed to them by Philip II of Macedon, father of Alexander the Great.\u00a0His speeches on attacking him, known as\u00a0<a href=\"https:\/\/www.cnrtl.fr\/definition\/philippique\">Philippic<\/a>\u00a0, have been so influential that the word has come to denote a violent verbal attack on an adversary.<\/p>\n<p>Yet, surprising as it may sound, all the evidence suggests that he had no natural predisposition for public speaking.\u00a0A sickly child, mocked by others, suffering from stammering, short of breath, he defeats the idea that the talent of the speaker is an innate gift.<\/p>\n<p>Many stories and anecdotes illustrate the fact that Demosthenes becomes the greatest orator of all time by the sheer force of his work: he digs a cellar under his house to train without being heard and works his diction by declaiming with pebbles in the mouth.<\/p>\n<p>His beginnings, however, are difficult.\u00a0Plutarch, the historian who tells us the most about his life, says that one day when he had been whistled down on the Agora, he returned home with a heavy heart and a downcast soul through the streets of Athens. .\u00a0It is in this sad state that one of his friends, the actor Andronicus, meets him;\u00a0he takes him home, listens to his problem &#8211; Demosthenes feels that no one listens to him when he speaks, and the actor asks him to recite a small extract.<\/p>\n<p>For Andronicus, the key to the problem is obvious: Demosthenes recites, but does not act out his text.\u00a0He does not seize the words which remain foreign to him, he does not interpret them.\u00a0Thanks to the revelation of Andronicus, who guides him, the oratory career of Demosthenes is finally launched.<\/p>\n<p>Subsequently, when asked what is the most important part of the art of the speaker,\u00a0<a href=\"https:\/\/fr.wikisource.org\/wiki\/Page%3APlutarque_-_Vies_des_hommes_illustres%2C_Charpentier%2C_1853%2C_Tome_4.djvu\/12\">Demosthenes answers &#8220;the action&#8221;<\/a>\u00a0.\u00a0He understood that one can have the most judicious reasoning, the most skilful pen, but that if one does not control the game, nobody will really want to listen to you.<\/p>\n<p>There are many dimensions to work on in this area, but when it comes to the grand oral, if you are convinced by what you are saying, if you project your voice well, if you support the word by the gesture, it will already be good.<\/p>\n<h4><strong>Work on style like Quintilian<\/strong><\/h4>\n<p><a href=\"http:\/\/www.inrp.fr\/edition-electronique\/lodel\/dictionnaire-ferdinand-buisson\/document.php?id=3480\">Quintilian<\/a>\u00a0, in the\u00a0<sup>1st<\/sup>\u00a0\u00a0century AD, is the last great Roman theorist of the art of oratory.\u00a0His treatise,\u00a0<a href=\"https:\/\/www.lesbelleslettres.com\/contributeur\/quintilien\"><em>The Oratory Institution<\/em><\/a>\u00a0, is at the same time a sum of the knowledge of Antiquity on rhetoric and the first work of \u201cmodern\u201d pedagogy.\u00a0One of the elements to which Quintilian is most attached is the work of style, or &#8220;elocutio&#8221;.\u00a0It should correspond to what is appropriate in the circumstances, what the Latins call the &#8220;aptum&#8221;.<\/p>\n<p>For the great oral, obviously, the language used must be appropriate.\u00a0The vocabulary must be precise, and therefore rich without unnecessary frills.\u00a0If you are unsure of which register or level of language to use, imagine that you are a teacher and that you are speaking in front of students.\u00a0Would your teachers use this or that formula?\u00a0If the vocabulary or diction you are going to use are not familiar to you, tell yourself that a new side of yourself is emerging.\u00a0This facet is the orator;\u00a0it does not erase the others, but completes them and draws them towards the light.<\/p>\n<p>If you are not used to speaking, choose short sentences;\u00a0in any case, you need to know how the sentence is going to end before you start it.\u00a0To do this, do not hesitate to take breaks.\u00a0They can mark the transition between different parts;\u00a0they can also be used to find you in your notes, to check that you have not forgotten anything.\u00a0If you are not uncomfortable, a silence of a few seconds where you compile your cards will seem quite natural to your listeners, even if it will seem very long to you (experiment before the exam).<\/p>\n<p>Quintilien insists in\u00a0<em>The Oratory Institution<\/em>\u00a0on the idea of \u200b\u200bbenevolence, that which the teacher must have for his pupils, but also, one might add, that which must live in the pupil.\u00a0To be an orator, in fact, is not only to speak well for Quintilian and his teacher Cicero;\u00a0it is placing reason and dialogue above all else, and striving to embody human qualities to the highest degree.<\/p>\n<p>Students of the 2021 class, you will have had little time to become speakers;\u00a0let&#8217;s hope that the following waves try it from middle school.\u00a0But take this trial as an opportunity to sow a seed;\u00a0it will only ask to push when we meet you in three months on the benches of the university, and well beyond.<\/p>\n<p><em><strong>Author Bio:<\/strong> <span class=\"fn author-name\">Guillaume Simiand is an <\/span>Associate Professor at the University of Paris 1 Panth\u00e9on-Sorbonne<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Press articles are multiplying on the\u00a0&#8220;great oral&#8221;\u00a0, novelty of the 2021 baccalaureate. Reading them, a certain anxiety would affect the students who are preparing to take this test, but also some teachers responsible for evaluating them. In a deeper way, the widespread fear of speaking in public is grafted onto this situation.\u00a0Naomi Osaka\u00a0has given an [&hellip;]\n&hellip; <a href=\"https:\/\/world.edu\/grand-oral-of-the-bac-how-to-draw-inspiration-from-the-masters-of-eloquence-to-succeed\/\" class=\"more\">learn more&rarr;<\/a><\/p>","protected":false},"author":33,"featured_media":57769,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[15645],"tags":[12744],"coauthors":[11733],"class_list":["post-57768","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-education","tag-public-speaking"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>&quot;Grand oral&quot; of the bac: how to draw inspiration from the masters of eloquence to succeed - World leading higher education information and services<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/world.edu\/grand-oral-of-the-bac-how-to-draw-inspiration-from-the-masters-of-eloquence-to-succeed\/\" class=\"yoast-seo-meta-tag\" \/>\n<meta property=\"og:locale\" content=\"en_US\" class=\"yoast-seo-meta-tag\" \/>\n<meta property=\"og:type\" content=\"article\" class=\"yoast-seo-meta-tag\" \/>\n<meta property=\"og:title\" content=\"&quot;Grand oral&quot; of the bac: how to draw inspiration from the masters of eloquence to succeed - World leading higher education information and services\" class=\"yoast-seo-meta-tag\" \/>\n<meta property=\"og:description\" content=\"Press articles are multiplying on the\u00a0&#8220;great oral&#8221;\u00a0, novelty of the 2021 baccalaureate. Reading them, a certain anxiety would affect the students who are preparing to take this test, but also some teachers responsible for evaluating them. 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