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Get Back shines a light on the love that still existed between the Fab Four.

Since the opening monologue became a fixture of American late night TV in the 60s, hosts have used it to comment on politics and presidents.

Hoppers arrives 17 years after Wall-E, Pixar’s last overtly environmentally themed film.

Why we’re being asked to decide whether Amber Heard is one of two archetypes: the gold-digging, manipulative siren or the innocent female victim.

Creaky crazy old leader, misdirection at every turn – is this beginning to sound familiar?

Even now, 350 years after his birth, the great Irish satirist Jonathan Swift remains as sharp and relevant as ever.

The backlash reveals a strain of snobbery that confuses manufactured fun with a lack of meaning and authenticity.

The custodians of one of Hollywood’s most reliable cash machines have been careful to sidestep political minefields that might remind customers of a realm outside the Magic Kingdom.

A hundred years ago, a small animation studio was born. Today, its cultural reach is enormous.

30 years ago, the company had grand plans to build a history-themed park in Virginia. But efforts to ‘Disneyfy’ American history met staunch opposition, even in the halcyon 1990s.