When the quest for attention meets a platform for edgy content, plenty can go wrong.
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Youtube ads are money well spent – but smart campaigns will also target Twitch and Mumsnet.
What do YouTuber influencer videos about being ‘cancelled’ share with 17th-century texts? Both were crafted directly in response to audiences in new social spaces.
Users can place one pixel every five minutes: it’s collaboration at its best, destructive chaos at its worst.
It’s one of the largest internet platform data leaks in internet history — exposing the earnings of thousands of top Twitch streamers.
Gambling live streams are likely to become an increasingly important part of contemporary gambling practices in the years to come, and merit the closest study.
Caregivers can strategize with young gamers and challenge racist and sexist stereotypes.
DJs had to adopt live streaming during the pandemic. This new way of reaching audiences has created a whole new djing experience that is more accessible to a wider range of people.
The video game community on Twitch has taken a massive interest in chess. The young, irreverent gamers and the ancient world of chess are both transforming as their cultures collide.
From music to porn, online platforms including Twitch, Patreon, Streamlabs, OnlyFans, and SubStack are becoming more familiar to consumers. But will they give creators an income?
Fortnite was the most outstanding and unexpected success of 2018, hitting 78.3 million players in August, and bumping developer Epic Games to a US$15 billion dollar valuation.
Facebook enters the world of gaming – where the web addresses are short, the streams are long and the cash flows.
Top contributors
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Lecturer in Digital Cultures, University of Sydney
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Professor & Director, Hub for Apple Platform Innovation (HAPI), School of Computing Technologies, RMIT University
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Senior Lecturer in Digital Cultures, Australian Research Council DECRA Fellow, University of Sydney
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Research Assistant, Centre for Gambling Research, University of British Columbia
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Associate Professor, Department of English, Theatre, Film & Media, University of Manitoba
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Director of Research, International Gaming Institute, University of Nevada, Las Vegas
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Research Lead at Rhythm Obscura / Lecturer in the School of Art, Design and Architecture, University of Plymouth
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Chair of Discipline, Media and Communications, University of Sydney
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Associate Professor, Film, Screen and Creative Media, and Associate Dean Engagement, Bond University
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Professor of Digital Politics, University of Sheffield
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Professor in Human-Computer Interaction, ARC Future Fellow, University of Sydney
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Elia Scholar, PhD Student, York University, Canada
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Director, Centre for Gambling Research at UBC, University of British Columbia
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Lecturer, School of Criminology and Criminal Justice, Griffith University
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Associate Professor of Learning Sciences and Human Development, University of Washington