The Neighbour at the Gate at Sydney’s National Art School Gallery presents a thoughtful examination of the consequences when good neighbours become good friends.
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In 1986 the Australia Council paid for a young photographer to live for a year in Berlin. Anne Zahalka’s subsequent career shows this was money well spent.
Decades of under-funding have left many Australian art schools in a perilous state. And the present political and intellectual hostility to the creative arts is threatening their very existence.
Art schools are emerging globally as very powerful instruments of urban renewal. In a time of transformation, Sydney must learn to tap into the value of having multiple art colleges.
Top contributors
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Joanna Mendelssohn is a Friend of The Conversation.Honorary Senior Fellow, School of Culture and Communication, The University of Melbourne
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Senior Lecturer, School of Architecture, University of Technology Sydney
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Adjunct Professor of Art History, Australian National University