The Beach Boys’ new documentary highlights the band’s six-decade long legacy, but misses an opportunity to highlight some key moments.
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Using a variety of instruments and playing live music on the film set are all part of how composer Jerskin Fendrix generated brilliant sonic accompaniment for ‘Poor Things.’
From ‘Mean Streets’ to ‘Vinyl’, from The Ronettes to The Clash, music has long been a muse to film director Martin Scorsese. He plays it on set, conceives sequences with certain songs in mind and uses it to chart his characters’ changing fortunes.
