So many of our artistic geniuses have complicated legacies. What do we do with work we love by artists whose behaviour is more difficult to admire?
Articles on Jane Campion
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The Power of the Dog may have lead the pack when it came to nominations, but the big winner of the night was the understated CODA.
Narrative gaps and atmospheric touches in Jane Campion’s masterful neo-western draw viewers in to piece together connections.
English professor Frannie Thorstin gets tangled in a sticky web of male attention in the novel and film versions of In the Cut as she tries to sort the bad guys from the good.
Jane Campion’s second series of Top of the Lake, which premiered in Melbourne at the weekend, is an ominous, lyrical, genre-bending exploration of the sex trade.
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Adjunct assistant professor, University of Sydney
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Associate Professor, School of Humanities and Languages, UNSW
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Lecturer in Communications and Media, University of Notre Dame Australia
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Professor, Rhetoric, Writing and Communications, University of Winnipeg
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Associate lecturer, Flinders University
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Foundation Member of the First Year College, Victoria University
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Senior Lecturer, School of Music, University of Auckland, Waipapa Taumata Rau
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Senior Lecturer, School of Fashion and Textiles, RMIT University
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Associate Professor in Creative Writing, Griffith University