POV shots can be extremely effective, presenting an entirely new way of looking at a character, or their motivations.
Articles on Film
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While Back to Black succeeds in avoiding harmful representations of addiction, viewers don’t get a deep insight into its realities and complexities.
One hundred years after her birth, Hideko Takamine’s films deserve to be more widely seen outside Japan
The MonsterVerse is a slick, well-defined giant monster mythos that has further globalised Godzilla – and King Kong along with him.
If you like action films, and you have your tongue firmly in your cheek, then you’ll probably like this.
I have spent the last two years researching the cultures and practices of cinema-going. Here’s what people tell me.
Our top picks of the best films, TV shows and exhibitions to see this week.
This quirky, nebulous, joyous then rueful story is not for those who like their love stories simple.
For its many strengths, the film may divide audiences with its chaotic, surreal final act.
It’s been nine years since #OscarsSoWhite called out a lack of diversity at the Oscars. Has anything changed? Prof. Naila Keleta-Mae and actress Mariah Inger unpack the progress.
Artdocfest 2024 was a showcase for films that show the reality of the war in Ukraine, and the spread of Russian politics to neighbouring countries.
The success of ‘Oppenheimer’ at the Academy Awards presents an opportunity to think about critical criteria for viewing historical film — and what we are owed by historical filmmakers.
Composer Jerskin Fendrix’s first-time film score is a hoot.
Some children have companions that are disobedient or even mean.
Though composers after Schoenberg used his technique to create atmospheric music in film, Schoenberg’s own ‘Accompaniment to a Film Scene’ was written for concert performance.
Using a variety of instruments and playing live music on the film set are all part of how composer Jerskin Fendrix generated brilliant sonic accompaniment for ‘Poor Things.’
Though only a few of Scorsese’s films focus on religious stories, deeper questions about faith, doubt and living in a violent world tend to haunt his movies.
Hopefully, Academy Award winners will be chosen because voters believed in the actors’ performances − not because of some meta narrative about their off-screen behavior.
The film is part soap opera about neighbourly conflict, part cosy teatime detective story. And it’s also a showcase for some delightful swearing – my area of expertise.
25 years after the death of the legendary director, a new book offers fresh insights into Stanley Kubrick’s personal and professional life.
Top contributors
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Lecturer in Communications and Media, University of Notre Dame Australia
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Associate Professor, Film Studies, University of Sydney
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Professor of Film Studies, Bangor University
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Professor of Film Studies
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Senior Lecturer in Screen Studies, Adelaide University
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Lecturer, Department of Film and Television Studies, University of Warwick
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Lecturer, Department of Literature Film and Theatre Studies, University of Essex
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Professor & Dean, School of Media and Communication, RMIT University
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Professor of Cinema, RMIT University
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Professor in Digital Arts, Royal Holloway, University of London
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Senior Lecturer in Film, University of Roehampton
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Lecturer in Creative Production and Performance, Western Sydney University
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Researcher and Sessional Tutor in Screen and Cultural Studies; Secretary for the Melbourne Cinematheque, The University of Melbourne
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Professor of Film and Television, Goldsmiths, University of London
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Senior Lecturer, Media Studies and Production, University of Southern Queensland