Sammy Baloji’s work allows us to revisit the DRC’s past and explore how art can help us understand decolonisation.
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The sensitivity of the exhibition’s themes, coupled with low lighting, seems to demand quiet in the space. In this silence, you hear the gentle chiming of hand-blown glass.
Gathered throughout the period of the British empire and gifted to the people of Glasgow, this famous collection is both spectacular and problematical.
