Visual effects artists fear the worst as AI tools continue to to be used in post-production processes.
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Even though Bernal is known as the father of Chicano photography, his work has long been overlooked. Now he’s the subject of a new exhibition at the University of Arizona.
Because Dylan draws from songs from the past, he has been accused of plagiarism. But this view has been colored by a distorted understanding of the creative process.
Both the COVID-19 pandemic and urgent debates around public heritage and monuments shape how Nuit Blanche Toronto is seeking to engage artists and viewers in remapping cities.
Largely self-taught, Adams learned to harness the communicative power of photography during his years as a marketing photographer.
In 1983, Mirka Mora painted a 21-metre mural in the forecourt of the Perth Concert Hall. The story of this remarkable painting’s creation is fascinating.
Top contributors
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Chief Curator, Center for Creative Photography, University of Arizona
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Professor of English, University of Maryland, Baltimore County
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PhD student, Communication and Culture, Toronto Metropolitan University
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Visual Effects Artist and Lecturer in Digital Communication, Auckland University of Technology
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Associate professor, Auckland University of Technology
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Senior Lecturer in Digital Media and Popular Culture Researcher, Auckland University of Technology
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Honorary fellow of the Grimwade Centre for Cultural Materials Conservation, The University of Melbourne
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Postdoctoral Research Fellow, School of Communication Studies, Auckland University of Technology