In the early 2000s, Ireland was a newly rich country that wanted to be more international looking. Westlife created un-Irish pop for an international market.
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Spontaneity, lack of set lists and real-time creativity were among the hallmarks of the White Stripes’ spellbinding live shows.
At the turn of the 21st century, Australia put on a show for the world, but for all the talk of the future, we still had one foot in the past.
It’s questionable how ethical it is to retell the story of women whose lives have already been damaged by media depictions of them.
Gen Z’s interest in flip phones is the latest in a series of obsessions young people have for the aesthetic of the 1990s and 2000s.
Top contributors
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PhD Candidate, Centre for Women's Studies, University of York
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Assistant Professor, Faculty of Business, University of New Brunswick
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Lecturer in Australian Political Studies, University of Canberra
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Associate Professor of Music Theory, University of Tennessee
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Associate Professor in Geography, University of Galway