The University of Melbourne is a global leader in higher education. Across our campuses we convene brilliant minds from different disciplines and sectors to come together to address important questions and tackle grand challenges. In a disrupted world, that capacity has never been more important.
Our vision is to equip our students with a distinctive, future-facing education personalised around their ambitions and needs, enriched by global perspectives and embedded in a richly collaborative research culture. As active citizens and future leaders, our students represent our greatest contribution to the world, and are at the heart of everything we do.
We serve society by engaging with our communities and ensuring education and research are inspired from the outset by need and for the benefit of society, while remaining committed to allowing academic freedom to flourish. In this, we remain true to our purpose and fulfil our mission as a public-spirited organisation, dedicated to the principles of fairness, equality and excellence in everything we do.
We strive for an environment that is inclusive and celebrates diversity.
Beyond our campuses we imagine an Australia that is ambitious, forward thinking and increasing its reputation and influence globally. We are committed to playing a part in achieving this – building on our advantageous location in one of the world’s most exciting cities and across the state of Victoria, in a region rapidly becoming a hub for innovative education, research and collaboration.
Artists do more than tell us there’s a problem. They can add nuance to the complex web of interconnected issues we face and tell stories about loss, possibility and transformation.
What really matters is domestic policy; if countries don’t change what they’re doing at home to bring fossil fuels emissions to zero and restore degraded lands, such declarations are meaningless.
Margel Hinder was responsible for some of Australia’s most significant public sculptures in the 1960s and 70s. A major exhibition now examines the totality of her career.
Daniel Merino, The Conversation and Gemma Ware, The Conversation
We talk to three experts who argue we governments need to find alternatives for their dependence on economic growth. Listen to episode 39 of The Conversation Weekly.
The pandemic highlighted Australia’s reliance on early childhood educators, while adding to their existing stresses. A study of how educators fared identifies three key factors in their well-being.
Regulators are currently reviewing the safety and efficacy data of the Pfizer vaccine for five to 11 year olds before deciding whether to approve its use in this age group.
The UN’s new Emissions Gap Report shows we’re on track to overshoot the Paris target of 1.5°C. If we don’t close this emissions gap, what will Australia, and the rest of world, be forced to endure?
Dans tous les cas, n'oublie pas d'éternuer dans ton coude.
ArtDesign Illustration/Shutterstock
Les scientifiques ne sont pas tous d’accord, mais cela pourrait être dû au fait que les signaux provenant du nez et des yeux arrivent dans la même zone du cerveau.
Newspoll continues to show Labor ahead of the Coalition on a two-party preferred basis, but other polls, and the end of lockdowns on the east coast, may paint a different picture in the coming weeks.
We shouldn’t aim to let infections run wild. We should aim to ensure most Australians never encounter the virus at all, or if they do, to not be infected by it.
In a tragic accident, Alec Baldwin has fatally fired a prop gun on a film set in America.
Evan Agostini/Invision/AP
In an on-set accident, Alec Baldwin has fatally fired a prop gun. When using weapons on screen, safety must always be paramount.
John Skinner Prout’s 1849 painting of the Cascades Female Factory in Hobart, Van Dieman’s Land, where Alexandrina bore an illegitimate child.
Wikimedia Commons
Deported to Australia as a convict at the age of 18, Alexandrina Askew reinvented herself as a woman of means, with a mysterious habit of misplacing her purse.