The University of Melbourne

The University of Melbourne is a global leader in higher education. Across our campuses we convene brilliant minds from different disciplines and sectors to come together to address important questions and tackle grand challenges. In a disrupted world, that capacity has never been more important.

Our vision is to equip our students with a distinctive, future-facing education personalised around their ambitions and needs, enriched by global perspectives and embedded in a richly collaborative research culture. As active citizens and future leaders, our students represent our greatest contribution to the world, and are at the heart of everything we do.

We serve society by engaging with our communities and ensuring education and research are inspired from the outset by need and for the benefit of society, while remaining committed to allowing academic freedom to flourish. In this, we remain true to our purpose and fulfil our mission as a public-spirited organisation, dedicated to the principles of fairness, equality and excellence in everything we do.

We strive for an environment that is inclusive and celebrates diversity.

Beyond our campuses we imagine an Australia that is ambitious, forward thinking and increasing its reputation and influence globally. We are committed to playing a part in achieving this – building on our advantageous location in one of the world’s most exciting cities and across the state of Victoria, in a region rapidly becoming a hub for innovative education, research and collaboration.

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Israelis with photos of people killed and taken captive by Hamas militants at the Nova music festival in southern Israel, displayed at the site of the event. Ohad Zwigenberg/AAP

‘Dark tourism’ is attracting visitors to war zones and sites of atrocities in Israel and Ukraine. Why?

People have long visited places like Auschwitz-Birkenau and, more recently, the Chernobyl nuclear power plant. Now we’re seeing ‘solidarity tours’ to Israel’s October 7 sites and war tourism in Ukraine.
Barber. Robert Ashton from Fitzroy 1974 published by Hardie Grant Books.

Fitzroy 1974: a sumptuous record of a time before hipsters

This celebration of public life in Melbourne’s Fitzroy, in 1974, reveals a vigorous working-class suburb evolving into a countercultural marvel of cheap ‘fixer-uppers’ and bohemian share houses.
Peopleimages.com – Yuri A/Shutterstock

Reproductive coercion is a form of gender‑based violence. It’s likely more common than we realise

Behaviour to ‘promote’ or prevent pregnancy can intersect with domestic, family and sexual violence. It weaponises someone’s reproductive capacity to control them.
Installation view of Angelica Mesiti ‘The Rites of When’ 2024, 7-channel digital video installation, colour, sound, approx 30 min, collection of the artist, commissioned by the Art Gallery of New South Wales for the Nelson Packer Tank, 2024 © Angelica Mesiti, photo © Art Gallery of New South Wales, Jenni Carter

Angelica Mesiti’s The Rites of When finally makes sense of the Art Gallery of NSW’s Tank. It is worth the plane flight

In The Rites of When, Angelica Mesiti considers the rituals that may mark the seasons in our burning planet. The Tank has been waiting for art like this.

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